MAKE MUSIC NEW YORK 2010 – thought and memory on our sidewalk
this past monday afternoon had a three-hour open window in my day and if you know me, you know exactly what i did with that time.
i’ve been engulfed in the gulf. i can’t stop watching ongoing developments just as i couldn’t stop watching those jets fly into those buildings back then.
i call it “trainwreck mystification.”
the week it happened, sixty-five-plus days ago, i told a friend that this was going to be bigger than the twin towers because it will play out to be mass murder on a decades-long scale by white guys with a smart logo and thousand-dollar suits who speak our language – sorry scared white guys, it’s a bunch of your own this time and i’m wondering how you’ll justify this horror, but i know you’ll have no problem – and if anyone thinks human loss is more precious than the things around us, think again.
murder (or manslaughter) is a crime, whether driven by political ideology, greed or contempt.
humanity’s sense of entitlement knows no bounds.
that’s at the core of religion, but that’s just an opinion.
i have plenty.
three thousand people died on september 11th and thousands more will have gotten their lives shortened by their selflessness for pitching in and caring about what happened.
there’s a lot of wheezing going on around NYC as a result of that day.
in the gulf, miraculously, only eleven people died on the Deepwater Horizon on april 20th, which was horrible because of the arrogance of that corporation – but the overwhelming promise of long-term tragedy will, over time, eclipse the trade center numbers.
if i owned a farm, i’d bet it.
which brings to mind…. april 20th….isn’t that hitler’s birthday? you mean there’s no white-trash supremacists out there toasting or trying to secure a link between the black president’s agenda, the fuhrer’s dreams for the schwarzcommanders as spoken of in pynchon’s “gravity’s rainbow“…..(or was that “V”)?
if you let them sit side by side on a shelf in your own mind for thirty-odd years, it becomes one big book.
everything becomes one-big-book.
maybe it’s time to revisit those titles again so i could drop pynchon’s name with focused certainty.
….or would hitler’s birthday cause tea party conservative confusion – whether to bury the president or praise him……
but i digress.
i was somewhere about crime and punishment (or the lack thereof).
i was somewhere, skirting the oily shores of corporate crime, moral hazard and the first meeting i had with that grifting lizard who looks like omar sharif and sounds like eduardo ciannelli, in months and months, who, this day, had in tow the suit of ayn rand, the author of the biggest, longest-running comedy on mars, “atlas shrugged,” the book written by the lizard who made a meal and suit out of ayn rand when she signed the hollywood deal for “the fountainhead,” got a big check and was gobbled up -literally – in 1955.
the lizard who wore ayn rand wrote “atlas shrugged,” in addition to being hilarious on their planet, was taken as gospel by many faithful on earth, spurring a movement that would be co-opted, corrupted, conned, fattened and devoured by the lizards who live life no differently from ginger rogers, who once told me this;
“a girl’s gotta eat.”
that lizard guy (the one who sounds like eduardo ciannelli and looks like omar sharif) told me last year that they’re still getting tremendous mileage (or tonnage….i think it was tonnage) out of “atlas shrugged” and the humans who buy into it.
he then made a point of telling me, “wait till that angelina jolie plays dagny taggart – it’s gonna be a feeding-frenzy in lizard-land, you betcha,”
…..but i’ve drifted way off base.
the point being, humanity means as much to that lizard guy (you know the one i’m talking about) as a can of starkist tuna means to you. speaking of tuna, you might notice a spike in tuna futures soon, what with the big oops down there.
i wonder if there are tuna futures. i wonder if tuna HAS a future.
probably as much of a future as we have.
p.s. – i don’t think we have a future, or at least, i don’t think we humanity deserves one.
if this is your first visit here, it’s all about the food chain.
if you still don’t know what i’m talking about, google “the grifting lizards from mars,” or hit these two links;
hi-dee hi-dee ho addresses more of what i’m talking about, but ken lay; martian lizard is the the genesis of this balderdash.
there are mountains of hubbub between then and now.
i’m writing this to be offered in a friend’s blog about “the underground” (whatever that means these days) and by virtue of the fact that goodbye blue monday is remote enough to maintain such underground-ness for five-plus years (more or less).
for us, mainstream could signal failure.
why travel way out here for the same shit you can get at your local pub?
i’d prefer to fail doing something….”other than.”
goodbye blue monday is “other than.”
i won’t write much about this place because i am genetically disposed to automatically having it become a pitch for money, performance gear, kitchen equipment and just as recent as today, a free or really cheap car.
there, i did it.
i also can’t help grinning at the term, “underground” because as i write this i am preparing to post it onto an open source information clusterfuck of word and imagery, not that “underground” isn’t valid.
i just tend to think that the whereabouts of osama bin-laden is “underground.”
and subway systems are “underground.”
besides, how “underground” are you once you’ve made it into Vogue Italia? (we made it last october)
i was interviewed by an documentarian a couple of weeks back.
at one point she asked me if i was an original-equipment new yorker;
if i was born and raised here – and when i replied “yes,” my plumage sprouted wondrous colors and rays of light sparkled and glimmered on and around me in the afternoon sun.
“there’s plenty of us,” i said.
i explained that i didn’t ride up the empire state building’s elevator until 1984 when i was thirty (laughing uproariously with a headful of acid) – but i DID have lunch on the 82nd floor of the unfinished, un-windowed twin towers when i worked at 90 west street in 1974 when i was twenty.
do you know what i’m saying?
that was being a new yorker, i guess, back then.
….and as our interview went on, she asked me about my experience with the music and art scene in NYC.
so as not to offer spoiler alerts, i’ll say that i’ve been part of the bar and club scene that stretches from the late 60’s, through disco, punk and whatever else that is or was up to now and because i believed i had/have an artistic bent, i did “art” and continue to do so, though i have no documentation other than the things i’ve done and continue to do.
i never read “on the road”, but i imagine it had to do with being young, indestructible (seemingly, until otherwise proven), eternal (ditto), rebellious (double-ditto), passionate (ditto squared) and maybe self-centered (“pi” times ditto to the third power).
my “road” book was “fear and loathing in las vegas” and more accurately for me, “screaming bloodily down the highway of oblivion,” the title (that i just made up) of my own book that no one wants but is available in fits and starts on my blog and at myspace.com/scrapbar.
……so the conversation with the documentarians went on, centering on why i did what i did in bushwick and my answer was “i just did,” and quickly added that there’s no place where anyone can “begin,” anymore.
i took them to the backyard and showed them “the other stage” where we do acoustic, electronic and experimental music and films.
i told them that here at goodbye blue monday, there is no 22-year-old numbnut passing judgement on anyone’s musical statement or artistic direction when they ask to perform here.
that we simply say “yes.”
….that my only hope is performers show they care by inviting a few friends to support the house.
i understand the limitations of nyc venues. i’m not knocking them.
they can’t do what we do anymore and haven’t been able to in decades. that they have to shuffle bands in and out, get door-counts and charges, and even steal a percentage of people’s merch and more.
new york city can’t afford to be creative unless you’re connected with a group of swells or have dad’s black american express card tattooed to your bank account and even then, the deck is generally stacked by PR and shmoozers professionale’.
this isn’t an indictment, it’s just the way it is.
the village voice voted us the best place for new music and performance in 2007. six months later i was in their offices, arguing.
i asked them why they didn’t ever list the shows we did here on their calendar – ever – and was told that “editorial” didn’t believe anyone who played here, “mattered.”
i explained that i even ADVERTISED with them.
it didn’t matter.
there was a new issue of the voice laying open on a table in front of us and my eyes were drawn to an ad for a show sponsored by “the fillmore at irving plaza (whatever the fuck THAT means) and the village voice.”
there was a list of six musical acts slated for this show. i pointed at the ad and said, “what? i have to have names like these to get a rise out of those douchebags in editorial?”
and the person i was arguing with looked down and said, “well,…yes.”
and i pointed at three of these names and stated with strong certainty that these bands all played on my stage over a year ago.
“so what we’re saying here is once it matters to you, it matters. it doesn’t matter that they may have cut their teeth in my stage, you shit!”
i stopped advertising with them.
and that’s what the music scene is in new york city.
last week, three years later, i was informed that village voice editorial has decided to list us in their calendar.
this was followed by a pitch to start advertising with them.
don’t eat the brown acid – it’s really little pebbles of ka-ka.
in 1985, allen ginsberg walked down into a bar i was building at 116 macdougal street and asked me “do you know where you are?” and before i could offer my wiseass reply, he excitedly told me the history of the place, it being the original “village gaslight.”
he told me about dave van ronk and careers started from bob dylan to bill cosby and loads of other stuff.
it excited him to pour his past out and lay it on the same floor i was currently using to spray six-foot flourescent light tubes with day-glo blue krylon paint.
i would later learn that “cafe wha,” – across the street – ran an open stage every day with booked acts at night and everyone worked “the hat.”
was this in my mind when i began out here in bushwick?
i don’t think so.
i’m not very good on “plans,” and maybe that’s not a good thing, but no one i knew was running their businesses with sliderules and graph paper when i was a kid, though i admit i wasn’t looking.
me and math never got along, anyway.
i told the documentarians that now is more punk than ever, that the gradual dissolution of the recording industry as i knew it was a good thing and that i never lived in a time of such startling creativity.
i also qualified this by saying that it’s just an opinion by “a musically-challenged writer with a short attention-span who did way too much of whatever he could get his hands on for far too long a time.”
that would be me.
i prefer to talk about near and dead-death experiences, my extraordinary friend’s rendezvous with my late, sainted-irish mother whom she never knew till they chatted briefly on the corner of Eternity boulevard and Hallelujah avenue;
….the “gulf-coast oil window” and when it will despoil the beach where me, maxx (my dog), the giant tire i befriended some years ago and those lizard people i keep mentioning meet on an almost weekly basis and where i can get a clean shot at “the eighth-electro-plasma-ocean of the ninth dimension” where i mingle with the comings and goings of everyone who ever came or went, who matter and anti-matter and who i hold, will hold or ever held in my electronic sputterings near, dear and otherwise to me.
instead of this, i can tell you about our booking policies, backline list and cheese you with goodbye blue monday’s history, but if that’s what you’re looking for, it’s on the website/blog.
see this thing just below here?
nuclear missiles used to be mounted on these things as they waiting and waited for something to happen.
i live my life waiting for something to happen.
it always does.